

The tone of the novel darkens as it progresses, indicating perhaps a deepening of Murasaki Shikibu’s Buddhist conviction of the vanity of the world. Although the novel does not contain scenes of powerful action, it is permeated with a sensitivity to human emotions and to the beauties of nature hardly paralleled elsewhere. Much of it is concerned with the loves of Prince Genji and the different women in his life, all of whom are exquisitely delineated. The Tale of Genji captures the image of a unique society of ultrarefined and elegant aristocrats, whose indispensable accomplishments were skill in poetry, music, calligraphy, and courtship.

It possesses considerable interest for the delightful glimpses it affords of life at the court of the empress Jōtō mon’in, whom Murasaki Shikibu served. In any case this work is the main source of knowledge about her life. It is more likely that the composition of her extremely long and complex novel extended over a much greater period her new position within what was then a leading literary centre likely enabled her to produce a story that was not finished until about 1010. Some critics believe that she wrote the entire Tale of Genji between 1001 (the year her husband died) and 1005, the year in which she was summoned to serve at court (for reasons unknown). SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!.

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